(#132b/#98: Siegfried listens again.)
Voice of the Woodbird: [[ #128b ]] He who wins the bride and awakens Bruennhilde shall never be a coward: (#129?) only he who knows not fear!
Siegfried: (Exultantly: #129?) The foolish boy who knows not fear, (#128b?) my Woodbird, that is I! This very day I tried in vain (#48?) to learn from Fafner what fear may be. Now I burn with longing to learn it from Bruennhilde: how shall I find my way to the fell?
(The bird flutters up, circles over Siegfried and flies off, hesitantly, in front of him.)
Siegfried: Thus shall the way be shown to me: (#92c or #71 Vari “Hero” or #57 Vari?) wherever you flutter, there shall I follow!
(#129b Varis; #132b; #129b Varis: He runs after the bird, which teases him for a time by leading him inconstantly in different directions before finally setting off in a particular direction towards the back of the stage, with Siegfried in pursuit.)”
[[#129ab]] The Second “Woodbirdsong” – music as man’s artificial bid to restore lost innocence
(See #128 for #129’s motival links)
[See #128 for #129’s dramatic context]
[[#130]] The selfishness and egotism of the Nibelung siblings Alberich and Mime
Representing the egoism which is the foundation of all human motives
(#130’s motival links, if any, not yet ascertained)
“Alberich: … you’ll never get hold of the lordly Ring, you lout! (#41 Frag)
Mime: (scratching his head: #41/#123 Vari Fragment >>) Well, keep it then and ward the bright Ring well! You be its lord: (#107 Voc Vari?) but keep on calling me brother! (#105 Vari) I’ll give it to you in return for my Tarnhelm’s (#41/#123 Vari Frag) delightful toy: it befits us both that we share the spoils in this way. (He rubs his hands confidingly.)