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The Ring of the Nibelung
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[[#76]] The Waelsung twins' remembrance of things past – their common Waelsung heritage

(#76’s motival links, if any, not yet ascertained; heard most prominently after this in the exciting finale of V.1.3 as the Waelsung twin-pair Siegmund and Sieglinde run off together from Hunding’s house to elope)

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[[#77]] The “Valkyries” as muses of inspiration and angels of death

Erda’s daughters, the Valkyries (including Bruennhilde), inspire heroes to martyrdom in unwitting service to the illusory, religious belief in man’s transcendent value. After death their cultural legacy lives on to protect Valhalla and its illusions from the truth

(#77 part of a family of heroic motifs derived from the last 3 notes of #53, which include #71, #88, #92, #95, and perhaps #152; through #53 related to #1 – and thus to #57b – and to #2 and #3)

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[[#78]] Bruennhilde's “Valkyrie War-Cry”

(#78’s motival links, if any, not yet ascertained)

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[[#79]] Fricka's indictment of the Waelsung twins’ illicit (adulterous and incestuous) love

Fricka expresses her fear that Wotan’s use of mortal proxies to undermine divine law will bring about the end of man’s faith in the gods. Wotan knows what Fricka can’t afford to acknowledge, that only through this breach in faith can the gods’ ideals and values live on, redeemed from Alberich’s curse, redeemed from Alberich's threat to overthrow them.

(#79 based on #58b; #79’s initial rhythm influenced by #61)
 

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