[[#92abc]] “Siegfried” the world’s noblest hero – fearless and innocent because he does not know who he is
(#92 is in the family of heroic motifs stemming from the last three notes of #53; it is therefore related to #1, #2, and #3, and through #1 to #57b; this heroic family of motifs includes #71, #77, #88, #95, and perhaps #152)
[[#93]] Sieglinde’s praise of Bruennhilde’s heroic service to the Waelsung race as the "Sublimest Wonder"
Popularly but incorrectly known as the “Redemption Motif” or “Redemption by Love Motif”; Currently known as the “Glorification of Bruennhilde,” or as Wagner’s “Hymn to Heroes”
(#93 is in the family of motifs which includes #8, #23, and #149. Cooke regards the motifs of this family as unified under the theme of “Woman’s Inspiration,” but that doesn’t really sum up their meaning.)
[[#94]] Wotan’s intent to punish Bruennhilde by putting her to sleep, defenseless, for any man to wake and win her as his bride
Since Bruennhilde is Wotan’s repository for Wotan’s unspoken secret, which he confessed to her, he has placed her at risk of exposing his secret hoard of knowledge to the man who wakes and wins Bruennhilde, and thus falls heir to Wotan’s hoard of runes.
(#94’s motival links, if any, not yet ascertained)
[[#95]] The Valkyries’ protest against Wotan’s intent to leave Bruennhilde’s divine Valkyrie chastity free for any passing man to sully
By leaving the virgin Bruennhilde asleep, Wotan intends to leave her vulnerable to the shame of being wooed and won by a common mortal. The Valkyrie muses ostensibly inspire Wotan’s chosen heroes to martyrdom without having sexual union with them, so Wotan’s intended punishment of Bruennhilde will deprive her of her divine status as a Valkyrie.