(#95 is a compound motif comprised of #88 and #92; it is part of the family of heroic motives stemming from the last three notes of #53, which also includes #71, #77, #88, and perhaps #152)
[[#96ab]] Bruennhilde’s appeal to Wotan to refrain from debasing her for doing what he, in his innermost self, desired
Bruennhilde appeals to Wotan to refrain from debasing the ageless part of himself, Bruennhilde, by leaving her (and thus his unspoken secret, which she keeps) vulnerable to be won and wed by a common, unheroic man (i.e., by a man who is not, like Siegfried, an unconsciously inspired artist-hero)
(#96ab is in the family of motifs deriving either from #21’s Embryo, or the Definitive Motif #21, which includes #28, #32b, #60, #62, #81AB, part of #83, #137, and #164; through inversion of #21, it is indirectly related to #47 and #82)
[[#97]] Wotan puts Bruennhilde to sleep on a mountaintop after taking her godhead away, ostensibly to punish her by leaving her to be won by any man who wakes and finds here, but actually so that the artist-hero Siegfried will win her love
Commonly called “Bruennhilde’s Magic Sleep.” Wotan prepares to leave the repository of his unspoken secret (the secret hoard of knowledge he obtained from Bruennhilde’s mother Erda – Mother Nature), his unconscious mind Bruennhilde, asleep, so that his heir, the artist-hero Siegfried, can wake and win her. In this way Siegfried can safely draw subliminal inspiration from Wotan’s abhorrent self-knowledge, through loving union with his muse Bruennhilde, to produce an art which will redeem the world from Alberich’s curse of consciousness
(#97 based on #32b “Godhead Lost,” with perhaps some influence of #33b. Cooke notes #97 also contains some #19 harmony.)
[[#98]] Bruennhilde’s plea to Wotan to protect her vulnerable sleep with hideous terrors, so only a fearless hero (the Waelsung Siegfried) can win her love
Only an authentically unconsciously inspired artist-hero, such as Siegfried, ought to have access to Wotan’s