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Introduction by Roger Scruton
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Table of Contents

Title Page
Dedication Page
General Table of Contents
Acknowledgments
Abbreviations for key references
Guide to abbreviations used in text
Allen Dunning's numbered Guide to the Ring's Musical Motifs
Detailed Table of Contents

The Ring

Introduction


References
Appendix I
Appendix I I

Key Colour Coding

Donations Welcome

I would be grateful for donations of any size, small or large, to help defray the cost (1) of maintaining this website, (2) and to finance my past and present research which produced my book posted here, Volume One of "The Wound That Will Never Heal," and my forthcoming revision of Volume One (to be submitted for publication), and completion of Volume Two on Wagner's six other canonic operas and music-dramas. I sacrificed at least seven years of paid employment and incurred debts to complete this project, and am currently unemployed, so I thank you in advance for any financial help you can provide. Your friend, Paul Heise.

which made them strange and mysterious to him in much the same way that the dreams which our unconscious minds produce are our own, and yet often seem alien to us. But one thing is clear: for Wagner, a considerable portion of the meaning of his libretto text, his drama, is only accessible to us in conjunction with the music he wrote for it, music which, however, does not merely enhance the text’s meaning through music’s natural expressive power, but also by virtue of playing the role of subliminal messenger of Wagner’s hidden aim as a poet, an aim hidden even from himself. This concept will have immense consequences as we proceed further into the second half of the Ring, Siegfried’s half.