inspiration, his music, Bruennhilde, as Wotan’s (religious faith’s) heirs, will temporarily redeem man from Alberich’s curse of consciousness, redeem man from the bitter truth, by taking aesthetic possession of Wotan’s hoard of objective, fearful knowledge of Erda’s terrible world, and sublimating it into the Wagnerian music-drama, thus transforming man’s existential woe into bliss
(#134’s motival links, if any, not yet ascertained)
[[#135]] Wotan’s interrogation of Siegfried to insure Siegfried does not know who Siegfrfied is, Wotan's unwitting instrument of redemption
Wotan tests Siegfried to insure Siegfried can’t trace his origins back to Wotan, and is therefore the free hero Wotan has longed for. Wotan’s crucial question: how did Siegfried learn the meaning of Woodbirdsong? I.e., is Siegfried an authentically unconsciously inspired artist-hero, who can access man’s collective unconscious, Bruennhilde
(#135’s motival links, if any, not yet ascertained; however, I suspect a harmonic link with the Valhalla Motif #20a)
[[#136]] Wotan bars Siegfried’s access to the sleeping Bruennhilde to insure Siegfried is truly the free, fearless hero needed by the gods for their redemption
(#136’s motival links, if any, not yet ascertained; but it can be considered one of the Motions of Nature)
[[#137ab]] Siegfried learns fear from the sleeping Bruennhilde, his premonition that it is dangerous to wake the repository of Wotan’s unspoken secret, which Wotan couldn’t bear to speak aloud
(#137 derives ultimately from #21, via its transformations into #28, #32b, #60, #62, #81AB, part of #83, and #96ab. It is the basis for #164.)
[[#138]] Kissed by Siegfried, Bruennhilde opens her eyes: the artist-hero Siegfried can now access mankind's (Wotan's) collective unconscious to obtain inspiration