Info

Home Page / About Wagnerheim
Introduction by Roger Scruton
About the Author
Interactive Features
Wagner Lecture Videos
Wagner Lecture / Papers Transcript
Links
Contact Us
Discussion Forum

Table of Contents

Title Page
Dedication Page
General Table of Contents
Acknowledgments
Abbreviations for key references
Guide to abbreviations used in text
Allen Dunning's numbered Guide to the Ring's Musical Motifs
Detailed Table of Contents

The Ring

Introduction


References
Appendix I
Appendix I I

Key Colour Coding

Donations Welcome

I would be grateful for donations of any size, small or large, to help defray the cost (1) of maintaining this website, (2) and to finance my past and present research which produced my book posted here, Volume One of "The Wound That Will Never Heal," and my forthcoming revision of Volume One (to be submitted for publication), and completion of Volume Two on Wagner's six other canonic operas and music-dramas. I sacrificed at least seven years of paid employment and incurred debts to complete this project, and am currently unemployed, so I thank you in advance for any financial help you can provide. Your friend, Paul Heise.

going back, no redemption, except in the permanent loss of consciousness itself.

(#177’s motival links, if any, not yet ascertained; however, #177b is superficially reminiscent of #89.)

[[#178 = #93]] Wagner’s Hymn (Sieglinde’s “Sublime Wonder”) to the failed artist-hero Siegfried and his muse of formerly unconscious artistic inspiration, Bruennhilde, who – thanks to Siegfried’s betrayal of Wotan’s unspoken secret, which she had kept in silence, to the light of day - now wakes forever, and becomes the voice of her mother Erda’s (Nature’s) objective knowledge of their fate

Sometimes called “The Redemption Motif,” or the “Motif of Redemption by Love,” but this is incorrect.

(See #93 for #178=#93’s motival links)