foreshadow music heard in association with #143, which is introduced later in S.3.3, or associated with music from T.P, Siegfried’s and Bruennhilde’s second love duet?]; #77?:) it shields and hides me no more (:#? [S.3.3 #143 reference, or T.P reference?; :#77?)! (#82 vari)
Siegfried: (ardently: #82 vari:) A blissful maid has pierced my heart; a woman has wounded my head: - I came without shield and helmet (:#82 vari)!
Bruennhilde: (with increased sadness: #82 vari?:; #81 frags & varis:) I see the brinie’s resplendent steel (:#82 vari?; :#81 frags & varis): a keen-edged sword has cut it in two; (#82 vari?:; #81 frags & varis?:) it loosed my maidenly body’s defences (:#82 vari?; :#81 frags & varis?): (#77 frag; #81 &/or #83 grace-note twist) (#81 frag: [grace-note twist?]) I’m stripped of shelter and shield, (#?: [what motif frag is this?]) a weaponless, sorrowing woman (:#81 frag “twist”; :#? [motif frag?])!
Siegfried: (ardently: #82 vari?:; #81 frags & varis?:) Through fierce burning fire I came to you; (#motif frag?: [the five-note phrase from Bruennhilde’s “… a weaponless, sorrowing woman” above]) no brinie or armour protected my body (:#motif frag? [5 notes]): now has the blaze broken into my breast (:#82 vari?; :#81 varis & frags?); (#66?:; #137 frag/#34 vari:) my blood is pounding with rampant desire (:#66?; :#137 frag/#34 vari); (#137 frag/#34 vari:) consuming fire is kindled within me: the flames that raged around Bruennhilde’s fell (#?: [a powerful explosion in the strings]) are burning now in my breast (:#? [string explosion]; :#137 frag/#34 vari)! – (#137:) O woman, quench the fire now! Quell this chafing rage!
(He has embraced her violently: #?: [the string explosion from above] Bruennhilde leaps up, repulses him with the strength born of fear, and flees to the other side of the stage.)
Bruennhilde: No god has ever dared draw near me: in awe the heroes bowed before the virgin maid: (#20c:) she left Valhalla (#20e:) inviolate [“Heilig”] [was #20b in this passage?] (:#20ce)! – (#? [four mournful notes: are they motival?]) (#5?:; #?: [a hint of the music which accompanied Bruennhilde’s description of the delights of Valhalla for Siegmund in V.2.4? perhaps #24?]) Woe! Woe! (:#5?; :#? [back reference to V.2.4?])! Alas for the shame, for my ignominious (#7 or #86?:) plight [“Noth”] (:#7 or #86?)! (#81?:) He who woke me has wounded me, too (:#81?)! (#34 vari
